Tag Archives: bbc

Doctor Who-Deep Into The Dalek (Fanedit)

 

 

Debuts for Doctors are, like regeneration, a bit dodgy, you never know what you’re going to end up with, but it’d better be good.

Deep Breath is good for the most part, and this by no means an attempt to reinvent the wheel, rather instead we take the wheel and add it to an altogether different motor.

Fanediting is very much like the broom analogy in the story, which, lucky for you I’ve kept in. After a while, is it the same film or show? Of course it is’nt, and that’s the point.

But with the way story arcs in television and film series, one can glue things together a tiny bit more confidant that it can mesh well, and create the illusion that some things stay very much the same.

So we come to this, a chance to launch Peter Capaldi’s Doctor a bit differently. An hour-long opening with Twelve mulling over whether or not he’s a good man, complete with a scene that really enforces whether or not he is as he dispatches Half-Face Man at the start of the story.

I figure if you’re going to relaunch Doctor Who to the casual crowdyou really should try things the way Russel T. Davies managed…we’ve seen the regeneration, we’ve seen previous Doctors work out their mission statement in their openers…let’s see Capaldi struggle with his mission statement right off the bat and not have him try to work out if he’s got Clara’s name right or if he can really complain about things now that he’s scottish. Let’s be like our rebel time lord and be rebellious…let us see him kick up a fuss, be proactive, and kick arse as soon as he see him.

Let’s stick him in the midst of a proper adventure. A typical Saturday Night out for him and his mates. Most of the story you’ve seen unfold in the original cut of Deep Breath is elaborated on within the restaurant confrontation with Half-Face Man, it’s almost as if Deep Breath could have just been a “day in the life” minisode before the main event.

And, appropriately enough, the privilege of facing off against Capaldi should lie with The Daleks.

Outside of The Power of the Daleks, no other Doctor’s debut story has opened with them facing him. Odd given their long history, but they’re mostly reserved for Doctor’s finales in the new stuff (except for Tennant), so I figured “what the heck?”

Changes in full
-Kicking things off in the edit right off the bat is the final third of Deep Breath, and the Doctor’s companions knee-deep in danger. It’s a typical Saturday night with the new Doctor introducing himself by pouring a glass and then debating life and death with The Half-Man. What serves as a decisive stand off becomes an enigmatic introduction to our favorite time lord.

-The titles kick in after Clara finds the TARDIS is missing from the courtyard

-First use of Into the Dalek footage kicks off after the titles, with the new Doctor answering the distress call and reaching the asteroid base where he learns of the Dalek being held prisoner. We cut before we see what he sees

-Resume Deep Breath footage here with Vastra assuring Clara The Doctor will return for her. We end the footage once they arrive in Glasgow, but cut before they talk about buying chips and coffee.

Cut to Danny Pink arriving for class. His drill sergeant routine with the boys has been cut

-Cut The Doctor and Clara talking about coffee and glasgow.

At the 26: 29 mark of the edit , you hear a door clicking just before Clara closes the door in the shot, this is not a miscue with the audio, that is actually The Doctor opening the TARDIS door, which becomes clear in the next shot. I was worried people would mistake that for an error, but rest assured it isn’t.

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Doctor Who-The Wedding of Sarah Jane Smith (FE.Org Version)

An edit I’ve made over a dozen times finally got the seal of approval over on FE.org, and it is’nt the only DW edit I have on there. It was joined by The Snowmen last week and soon my edit of The Pilot will join it. 201a-The Wedding of Sarah Jane Smith

I always thought The Wedding of Sarah Jane Smith would fit much better as one of the last David Tennant DW specials, and so I took the liberty of joining the episodes together (SJA is a half hour show and is often serialized more than New Who is), and making it work as one.

 

– Cut approx. a minute from the beginning of “Part One”, including titles and writers/directors credits.

– Opening titles with David Tennant and Elizabeth Sladen credits taken from “The Stolen Earth/Journie’s End” titles and used a shortened version of the 2009 version of the theme song as this is considered part of the “Ten Farewell Tour” specials

– Story proceeds as normal until the arrival of The Trickster at the reception.

– Cut one minute and twenty-three seconds from the begining of “Part Two”, which is mostly all a reprise of part one. Removed Director’s credit

– Removed Sarah Jane and the kids saying what a fantastic person The Doctor is and what a fantastic team they make, removed “next time” for next SJA adventure and end credits, we now close the episode as the TARDIS door closes on The Doctor

– Omitted Credits

 

password: tardis

Doctor Who-Time Enough (fanfic)

 

DOCTOR WHO:

TIME ENOUGH


Change was coming.

He was coming.

The Doctor. The madman in a box, now even madder than ever before.

He knew it had been on the horizon for a while, the moment he saw his TARDIS join in with the others in co-ordinating the preservation of Gallifrey at the very edge of the time war.

The Eleventh Hour was winding down, however would he break this to Clara?

He would’nt, he would just break, and she would break with him, unless she was fully prepared.

It’s a silly notion he thought, she’s already seen all of me, all of my faces

He wondered if she would continue to see him. See through him, see all of him, the way he ought to be.

He felt this time that everything would hinge on her being able to know who he was, he was a good man, but how good could she be when faced with the reality of change?

That was the challenge facing him and her. Her bravery would be tested like never before. It would be a most trying Christmas for her, adjusting to the shock of the new, coming to terms with the loss of someone he knew she cared deeply about, and taking in the fresh coat of paint.

The truth field around Trenzalore compelled him to come clean about the consequences of regeneration, how the process can startle even the most well prepared individual, and how it can be the making of that person if they can adapt.

He knew Clara could adapt, he felt it, just as he felt everything come apart, he knew in his ancient bones that the Impossible Girl could make all things possible.

He would die, he would change, and if he were to live again, it had to be through her eyes. He had to be taught through her eyes.

He pondered aloud if he had chosen Clara knowing sub-consciouslly her career would take her into teaching.

He stared up at the burning belltower, he looked on at the wreckage of the Dalek mothership, he smiled, he could hear hyms being performed inside the church, the music tinged with a compelling sadness.

It made sense, he had caused a lot of damage with his regenerative energy in a bid to save the town of Christmas.

A part of him wondered if he was truly finished with Trenzalore as he picked up the TARDIS phone and dialed Clara’s number. He wondered if he had contributed to massive paradox by averting his fate here, or if the planet was always waiting for him in his twilight age, whenever that would be, however that would come.

Nothing can prepare you for death, so his mind was concentrated on preparing himself, and Clara, to live.

Time enough he thought.

Doctor Who-The Snowmen (fanedit)

 

A 45-minute trim of the 2012 Doctor Who Christmas special The Snowmen.

Christmas is coming, and if the Great Intelligence has his way, so is eternal winter. Sentient and savage snow is descending, eager to consume us all, can The Doctor, the Paternoster Gang, and nanny Clara save a family from the merciless lady of the lake?

The intention is trim the fat on the 2012 Christmas special, removing try-too-hard comedic banter and time wasting filler scenes.

 

Changes:

No comedic banter between 11 and Strax in either of their two big scenes together
– No One Word Test Scene
– The Doctor and Clara’s first meeting shortened (no “two words”, no drawn out scene with the memory worm)
– Clara does not visit the cloud on the first try
– As with my “Wedding of Sarah Jane Smith” edit, the End Credits have been removed (they go by quite fast and look very blurry) and I use the shortened Tennant end theme for the outro.

password: tardis

The Lies of Sherlock [Fanedit]

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https://ifdb.fanedit.org/the-lies-of-sherlock/

An edit combining the final two episodes of series four, “The Lying Detective” and “The Final Problem”

It’s not a game anymore. Sherlock, John and Mycroft engage of an emotional battle of wits not just with Sherlock’s maniacal and manipulative sister Euros, but with one another as well. From the pitfalls of drug addiction to the boasts of seemingly untouchable media darlings to three heart-wrenching words on the end of a phone conversation. The lies mount up, leading to our heroes reaching a moment of definitive truth. Context is everything.

Special Thanks to FE.org members theryaney, and jswert123456 for feedback and cover art.

Doctor Who-Gallifrey Falls [Fanedit]

In it’s infancy, this edit was known as “The Moment Has Come” and was released on this blog back in 2015, but the purging of my previous MEGA account lost the product to the tearful rains of time, so I’ve now decided to revisit it with a snappier title and a few improvements to the editing.

The episode now begins with the very unveiling of the “Gallifrey Falls” painting, and the titles follow Matt saying “the day he killed them all”, we have a shortened version of the RTD era Doctor Who theme, and then back to the museum for most of the story.

I decided to hold back from the War Doctor’s introduction scene until the time came for him to meet The Moment and fetch the Fez, luckily, there’s a perfect moment to bridge from the Tenth and Eleventh Doctors meeting to that scene as soon as Ten says “so where did it go?” when inquiring about the Fez. Very lucky to have had that scene there.

The destruction of Gallifrey originally came about in my first edit as soon as Clara found the War Doctor had vanished from the chair. Here we get to see the War Doctor actually trigger the big red button that leads to the obliteration of the planet.

Most of the story is the same, I opted to also omit any scene with the painting of Elizabeth and Ten getting smashed in by the Zygons for reasons that become quite clear at the end. I was never really satisfied with how Whoflix  ended his Tennant cut, and thought it needed a better closing shot than just his TARDIS materializing. So I spared the painting of Elizabeth and The Doctor from destruction so we can have a quick pan over to it one more time.

password: tardis

Doctor Who-Rose: Eight to Nine Edit [Fanedit]

Cast your mind back to 2005…simpler times and simple pleasures. Russel T. Davies re awoken the sleeping giant of science-fiction with a modest and whirl wind reinvention of Doctor Who starring Christopher Eccelston as the Ninth Doctor and Billie Piper as Rose Tyler, who became essentially the show’s quintessential answer to Gwen Stacy…only without the satisfaction of a bridging.

For that first year, many fans questioned where things would go, it would not be until “Dalek” where we learned who was involved in the last great time war (I, being a book nerd, thought they were going to make the recently folded war with Faction Paradox canon to the tv world), other questions were whether or not Adam would turn out to be Davros because of his ‘third eye’ (yes, erratically preposterous fan theories were running rampant even back then), but the most crucial question on everyone’s mind…was what had happened to Paul McGann’s Eighth Doctor?

There didn’t seem to be an answer. Doctor Who Magazine at one point offered to reveal how he came to be Christopher Eccelston with the planned conclusion to their final Eighth Doctor strip adventure “The Flood”, something RTD even encouraged, but the BBC had the final say and did’nt want Eccelston to be glimpsed before transmission, so the idea was quietly dropped and the strip adventure ended on a homage of sorts to “Survival”. I remember being quite vexed at the time about it, as there were still loose ends from that era still to be tied up…though that would be (partially) remedied in later years with the new series Doctors.

We did’nt get a concrete answer until the 50th anniversary, seven years later, in the “Night of the Doctor” minisode, where the Eighth Doctor tries in vain to save someone who despises his race and stays with her ’till the bitter end…only to be given a choice by the Sisterhood of Karn to become a being who could tip the balance in the ongoing time war. He chooses to be a warrior, a Doctor no more…we come to know him as a Doctor of war.

It wasn’t Eccelston though.

In a convoluted fashion that can only come about when a reluctant actor doesn’t want to dip his toes in the same lake twice, Eccelston was replaced in the special by John Hurt, and the special tied up the remainder of RTD’s influence on the show in grandfatherly fashion. Eccelston had to make do with archive footage of him being used in the sequence where all thirteen Doctors save Gallifrey.

Fans opinion was mixed, some did not take to the fact Mcgann was shafted by the 50th and did’nt get to participate in the time war at all, others could not adapt well to the concept that Eccelston was not even the Ninth, but in actuality the tenth incarnation of the time lord, bumping Matt Smith up to the final incarnation. Some thought the lineage of the Doctors had become slightly more complicated than it need be.

Some cried out for simpler times.

Took a few years but…wish granted.

Cast your mind back now to 2005, where the Eighth transitions to Nine in just under a few minutes, sit back and enjoy Eccleston’s first adventure all over again…oh, and this time, let’s leave Rose Tyler behind shall we?

Physician heal thyself

password: tardis