Tag Archives: fanedit.org

Doctor Who-Deep Into The Dalek (Fanedit)

 

 

Debuts for Doctors are, like regeneration, a bit dodgy, you never know what you’re going to end up with, but it’d better be good.

Deep Breath is good for the most part, and this by no means an attempt to reinvent the wheel, rather instead we take the wheel and add it to an altogether different motor.

Fanediting is very much like the broom analogy in the story, which, lucky for you I’ve kept in. After a while, is it the same film or show? Of course it is’nt, and that’s the point.

But with the way story arcs in television and film series, one can glue things together a tiny bit more confidant that it can mesh well, and create the illusion that some things stay very much the same.

So we come to this, a chance to launch Peter Capaldi’s Doctor a bit differently. An hour-long opening with Twelve mulling over whether or not he’s a good man, complete with a scene that really enforces whether or not he is as he dispatches Half-Face Man at the start of the story.

I figure if you’re going to relaunch Doctor Who to the casual crowdyou really should try things the way Russel T. Davies managed…we’ve seen the regeneration, we’ve seen previous Doctors work out their mission statement in their openers…let’s see Capaldi struggle with his mission statement right off the bat and not have him try to work out if he’s got Clara’s name right or if he can really complain about things now that he’s scottish. Let’s be like our rebel time lord and be rebellious…let us see him kick up a fuss, be proactive, and kick arse as soon as he see him.

Let’s stick him in the midst of a proper adventure. A typical Saturday Night out for him and his mates. Most of the story you’ve seen unfold in the original cut of Deep Breath is elaborated on within the restaurant confrontation with Half-Face Man, it’s almost as if Deep Breath could have just been a “day in the life” minisode before the main event.

And, appropriately enough, the privilege of facing off against Capaldi should lie with The Daleks.

Outside of The Power of the Daleks, no other Doctor’s debut story has opened with them facing him. Odd given their long history, but they’re mostly reserved for Doctor’s finales in the new stuff (except for Tennant), so I figured “what the heck?”

Changes in full
-Kicking things off in the edit right off the bat is the final third of Deep Breath, and the Doctor’s companions knee-deep in danger. It’s a typical Saturday night with the new Doctor introducing himself by pouring a glass and then debating life and death with The Half-Man. What serves as a decisive stand off becomes an enigmatic introduction to our favorite time lord.

-The titles kick in after Clara finds the TARDIS is missing from the courtyard

-First use of Into the Dalek footage kicks off after the titles, with the new Doctor answering the distress call and reaching the asteroid base where he learns of the Dalek being held prisoner. We cut before we see what he sees

-Resume Deep Breath footage here with Vastra assuring Clara The Doctor will return for her. We end the footage once they arrive in Glasgow, but cut before they talk about buying chips and coffee.

Cut to Danny Pink arriving for class. His drill sergeant routine with the boys has been cut

-Cut The Doctor and Clara talking about coffee and glasgow.

At the 26: 29 mark of the edit , you hear a door clicking just before Clara closes the door in the shot, this is not a miscue with the audio, that is actually The Doctor opening the TARDIS door, which becomes clear in the next shot. I was worried people would mistake that for an error, but rest assured it isn’t.

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Doctor Who-The Snowmen (fanedit)

 

A 45-minute trim of the 2012 Doctor Who Christmas special The Snowmen.

Christmas is coming, and if the Great Intelligence has his way, so is eternal winter. Sentient and savage snow is descending, eager to consume us all, can The Doctor, the Paternoster Gang, and nanny Clara save a family from the merciless lady of the lake?

The intention is trim the fat on the 2012 Christmas special, removing try-too-hard comedic banter and time wasting filler scenes.

 

Changes:

No comedic banter between 11 and Strax in either of their two big scenes together
– No One Word Test Scene
– The Doctor and Clara’s first meeting shortened (no “two words”, no drawn out scene with the memory worm)
– Clara does not visit the cloud on the first try
– As with my “Wedding of Sarah Jane Smith” edit, the End Credits have been removed (they go by quite fast and look very blurry) and I use the shortened Tennant end theme for the outro.

password: tardis

Another Clean-Up

Removed my entries on Doctor Who-Series Ten Revisited as I will be remounting them soon with rips from the official DVD releases and not the TX versions.

Gone too is my umpteen drafts of The Wedding of Sarah Jane Smith…now that the current version is listed on IFDB. The new draft will be made available to stream on Vimeo shortly.

Also missing is The Snowmen as I had an even better set of ideas for it as an edit. It’ll be back up before Christmas, I hope to have it released on FE.Org as a Christmas present, but we’ll see how they like it.

At the moment, I’m thinking of giving my Doctor Who edits a “uniform title” sequence, which would just be the old 2005-2009 titles with a shortened version of the theme borrowed from Whoflix.

Doctor Who-Gallifrey Falls [Fanedit]

In it’s infancy, this edit was known as “The Moment Has Come” and was released on this blog back in 2015, but the purging of my previous MEGA account lost the product to the tearful rains of time, so I’ve now decided to revisit it with a snappier title and a few improvements to the editing.

The episode now begins with the very unveiling of the “Gallifrey Falls” painting, and the titles follow Matt saying “the day he killed them all”, we have a shortened version of the RTD era Doctor Who theme, and then back to the museum for most of the story.

I decided to hold back from the War Doctor’s introduction scene until the time came for him to meet The Moment and fetch the Fez, luckily, there’s a perfect moment to bridge from the Tenth and Eleventh Doctors meeting to that scene as soon as Ten says “so where did it go?” when inquiring about the Fez. Very lucky to have had that scene there.

The destruction of Gallifrey originally came about in my first edit as soon as Clara found the War Doctor had vanished from the chair. Here we get to see the War Doctor actually trigger the big red button that leads to the obliteration of the planet.

Most of the story is the same, I opted to also omit any scene with the painting of Elizabeth and Ten getting smashed in by the Zygons for reasons that become quite clear at the end. I was never really satisfied with how Whoflix  ended his Tennant cut, and thought it needed a better closing shot than just his TARDIS materializing. So I spared the painting of Elizabeth and The Doctor from destruction so we can have a quick pan over to it one more time.

password: tardis

Red Dwarf-Out of Time (Tikka Edit)

“Out of Time” is largely thought of as the last of the “good” outings for the boys from the ‘Dwarf. It was the final episode written by both Rob Grant and Dough Naylor before Grant went on to pursue solo fortunes and Naylor was left with keeping the franchise afloat for as long as it could remain profitable, and it’s an engine that’s been kept running ever since. Whether or not the ship has sprang a few leaks or not is a matter for subjective opinion with the long serving fanbase.

But let’s get back to when one era ended, and how it was resolved with an era about to begin. “Out of Time” began a four year hiatus for the show, and ended in dramatic fashion with the crew seemingly killed by their future selves after a skirmish. It would not be until 1997 where we learned the conveniently convoluted explanation for their ongoing survival in a small pre-titles prelude before beginning an entirely different adventure.

It is with this prelude in mind that I decided to tinker with a minimally different edit of “Out of Time” by taking the series seven epilogue and having it work as linking material to the unedited and complete episode. Lister introduces us to the story as soon as he says “see attached” and chimes back in shortly after Starbug’s destruction to explain everything else.

Better than Air Belgium? I’ll leave that to the subjective opinions of the audience these edits are made for…your fine selves.

By the way, they’re in space.

password: acehole

 

UPDATE: Following advice from FE.Org’s “Wilhelm Scream”, I’ve put together an alternative cut

Changes

-Video journal moved to pre-titles
-Everything about reality bubbles and Lister as an android removed
-Series VII titles used instead of Series VI

password: acehole