Tag Archives: fanedit

Power Rangers Super Megaforce-Legendary Battle [Fanedit]

supermegaforcelogo

 

A Power Rangers edit attempting to fuze elements of “Vrack Is Back”, “The Wrath” and “Legendary Battle” into one story.

As of this writing, the edit I’ve managed is the standard length of one PR episode. It’s not perfect, but I think I have a good outline of where to go. Here’s my blueprint

-Removed Orion being captured and used as a power source
-Removed Roboknight being a prisoner of Vrack and turned against The Rangers
-Removed All Moments and Referenes to the Legendary Keys Being Turned to Stone
-Removed Orion being rescued by Roboknight from the Aquatic base as well as any mention of Roboknight dying, so when he turns up for the Legendary Battle, his exchange with Troy makes more sense
-End the episode on the Rangers saying goodbye to Orion as he leaves in an Armada ship. The bit where he looks at the team photograph before heading off into space is a note-perfect moment to end a series on.

At first I was pretty intimidated with how swamped I got with the “Vrack Is Back” footage, but as I watched it all the way through, I realized the footage take care of itself…the easiest solution is not to have a masterplan to create the drills in the first place…he already has them. That allowed me to remove pretty much 90% of “Vrack is Back”. I had to do some slight tinkering with audio from part one and applied to the part two footage, but it came together nicely.

Sliders-The Exodus [Fanedit]

sliders

The Exodus is the infamous two-parter of the 90s multiverse exploration series SLIDERS, a series that was frequently plauged by executive meddling, pointless cast changes, and ridiclous storylines. It holds a speical place in my heart as it’s first two seasons are amongst the best speculative fiction I’ve ever seen and I do actually have some sort of soft spot for the third season even if it (and season five) are the worst.

The Exodus has a lot going against it…death of a fan favourite character in Professor Artro, gobbeldigook science jargon, the characters all being incredibly self-centered and mean-spirited, a weird serial killer/coma victim subplot…there’s a lot to cut out or generally minimise, and evidently I haven’t been the only one who’s considered this. Apparently the Earth Prime online communuty tried their hand at the Exodus fanedit, I found it on Vimeo and it’s inspired me to do my own version.

I think they tried to be too ambitious with the edit, attempting to ignore some of the hokeier moments and, in what I feel was a missed oppertunity, cut out Quinn returning to his home Earth. This was a seminal moment for me and I thought one of the better moments of the two-parter, ruined all too quickly by Maggie’s ludicrous “allergy” to an Earth. In my version, Quinn and Maggie return from Quinn’s world with no problems and they decide that Earth is where the population of the doomed Pulsar Earth goes.

Arturo’s death is now repurposed in a way that gives him some dignity and underlines the trimph of the Sliders with a tragic setback…they have made it home at last, but feel compelled to return to their usual adventures in order to bring Rickman to justice.

Maggie’s husband is killed off-screen, as Rickman tells Maggie he was killed by the rioters.

The whole Rembrant/Malcom subplot has been removed, they still meet and Rembrant does still bond with him, but the whole drama with trying to get him on the list or whatnot is edited out.

I retained some of the cheesier elements because Sliders is pure 90s cheese and it would feel hollow without some of that being in there. It’s not really a very joyful story as it is.

How SPECTRE Should Have Ended

Back to editing at last. I do apologize for the lack of updates on this end folks…computer trouble plus working out what kind of edits to do can sometimes get the better of you

I’ve been working on touching up a minimally altered edit of Spectre, cheifly changing the opening of the film, removing some fairly cheesy moments here and there, as well as ending the film at a half-way decent spot which gives the core characters a chance to shine…in my ending, it’s M that deals the final blow to Spectre’s plans.

Doctor Who-The Time of the Doctor

Exciting times ahead for DW fans. Power of the Daleks may be getting an officially sanctioned animated adaptation, CLASS’s premiere is but a month away, and then there’s only a few weeks until the Christmas special. Before you know it, we’ll be well on our way to the moment we’ve all been prepared for, Moffat’s departure

But cast your minds back to 2013 when we were all prepared for another sudden departure, as Matt Smith boweed out of the TARDIS and made room for our current holder of the house…or box, or whatever.

Yes, from the vault of edits passed, I bring you my long overdue edit of Time of the Doctor.

 

 

I first dabbled with an edit of this not long after it’s 2013 transmission and with this version I made adjustments and improvements to the elements I changed. We don’t get any nudity/holographic clothes here, a lot of that was very easy to smooth over with the aid of the television soundtrack. Also gone is the whole of Clara’s interactions with her family as well as Eleven’s long-winded speech and phantom Amy. Here, The Doctor regenerates at the belltower and comes up the TARDIS steps as Capaldi.

A well prepared moment for us all.

Superman-Dawn of Justice (Draft 1)

Superman Dawn of Justice

 

There’s been a lot of discussion over what the best course of action to take with this particular film. My idea, in addition to trying to get through it as quickly as possible, was to try and make it more about Clark and his journey, while finding time to give some breathing room for Bruce only when the plot requires him to be there to advance the duel.  Ideally, I wouldn’t have it in there at all, but it makes for a pretty short movie, if you can still call it a “movie”, it was almost “DeAssified” in length actually.
So far, my current draft clocks in at 1 hour, 49 minutes.
Here’s the cut-list so far
-Film opens with Clark speaking to his father in the Arctic
-Kryptonite discovery moved to after the hearings and before Lex’s introduction
-“Devils come from the sky” monolouge cut
-Media montage of Superman’s deeds cut
-Both of Bruce’s nightmares have been cut
-Outside of giving Bruce back the flash drive, Diana does not appear for the rest of the movie. Hers is just a guest role
-“Granny’s Peach tea” sequence cut
-“Marrthhhaaa” lines cut. Bruce now relents as he flashes back to his parents.
-Martha rescue cut entirely
-Superman’s death cut. Doomsday is defeated when nuked. Man of Steel footage is used to show Clark being replenished by the sun.
-Diana viewing the Metahumans repurposed to Bruce viewing the Metahumans in addition to Diana’s photograph
-Clark speaks to his mother and rescues flooded villagers at the end.

password: superman

Doctor Who-Face The Raven (Version II)

Zygon

When I last tackled this episode back in December 2015, I had the interesting notion of cutting out Clara’s ‘final’ farewell to The Doctor, but in doing so, it left the story feeling slightly under-length. Not that there’s a problem with “shortening” Doctor Who episodes if you feel it makes for tighter pacing (or allow it to synch up with well with the length of traditional “classic” Who stories) , but I thought, for this second go-around, I would try to bump up the length so it was closer to that of a modern series episode.

How to acheive this without compromising my earlier ideas?  Look to none other than the very next episode, “Heaven Sent”

Inspired by a discussion I had with Whoflix (who had recently completed his own edit of Face The Raven, which I recommend checking out), I felt compelled to try and make the episode feel more like a two-parter, leading directly into Hell Bent without dragging out The Doctor’s struggle inside the confession dial too much…and the easiest solution was to simply use the last act of the episode focusing on The Doctor experiencing the loop time and again, which neatly condenses the events of Heaven Sent into a very manageable ten minutes and gets us to Gallifrey in no time at all

Also changed is the pre-credits, gone is Rigsy’s phone call to the TARDIS, and The Doctor telling Rigsy there’s no easy way to tell someone they’re going to die being where we hit the titles. Not much else of FTR has been changed other than that.