Tag Archives: steven moffat

Doctor Who-Deep Into The Dalek (Fanedit)

 

 

Debuts for Doctors are, like regeneration, a bit dodgy, you never know what you’re going to end up with, but it’d better be good.

Deep Breath is good for the most part, and this by no means an attempt to reinvent the wheel, rather instead we take the wheel and add it to an altogether different motor.

Fanediting is very much like the broom analogy in the story, which, lucky for you I’ve kept in. After a while, is it the same film or show? Of course it is’nt, and that’s the point.

But with the way story arcs in television and film series, one can glue things together a tiny bit more confidant that it can mesh well, and create the illusion that some things stay very much the same.

So we come to this, a chance to launch Peter Capaldi’s Doctor a bit differently. An hour-long opening with Twelve mulling over whether or not he’s a good man, complete with a scene that really enforces whether or not he is as he dispatches Half-Face Man at the start of the story.

I figure if you’re going to relaunch Doctor Who to the casual crowdyou really should try things the way Russel T. Davies managed…we’ve seen the regeneration, we’ve seen previous Doctors work out their mission statement in their openers…let’s see Capaldi struggle with his mission statement right off the bat and not have him try to work out if he’s got Clara’s name right or if he can really complain about things now that he’s scottish. Let’s be like our rebel time lord and be rebellious…let us see him kick up a fuss, be proactive, and kick arse as soon as he see him.

Let’s stick him in the midst of a proper adventure. A typical Saturday Night out for him and his mates. Most of the story you’ve seen unfold in the original cut of Deep Breath is elaborated on within the restaurant confrontation with Half-Face Man, it’s almost as if Deep Breath could have just been a “day in the life” minisode before the main event.

And, appropriately enough, the privilege of facing off against Capaldi should lie with The Daleks.

Outside of The Power of the Daleks, no other Doctor’s debut story has opened with them facing him. Odd given their long history, but they’re mostly reserved for Doctor’s finales in the new stuff (except for Tennant), so I figured “what the heck?”

Changes in full
-Kicking things off in the edit right off the bat is the final third of Deep Breath, and the Doctor’s companions knee-deep in danger. It’s a typical Saturday night with the new Doctor introducing himself by pouring a glass and then debating life and death with The Half-Man. What serves as a decisive stand off becomes an enigmatic introduction to our favorite time lord.

-The titles kick in after Clara finds the TARDIS is missing from the courtyard

-First use of Into the Dalek footage kicks off after the titles, with the new Doctor answering the distress call and reaching the asteroid base where he learns of the Dalek being held prisoner. We cut before we see what he sees

-Resume Deep Breath footage here with Vastra assuring Clara The Doctor will return for her. We end the footage once they arrive in Glasgow, but cut before they talk about buying chips and coffee.

Cut to Danny Pink arriving for class. His drill sergeant routine with the boys has been cut

-Cut The Doctor and Clara talking about coffee and glasgow.

At the 26: 29 mark of the edit , you hear a door clicking just before Clara closes the door in the shot, this is not a miscue with the audio, that is actually The Doctor opening the TARDIS door, which becomes clear in the next shot. I was worried people would mistake that for an error, but rest assured it isn’t.

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Doctor Who-The Snowmen (fanedit)

 

A 45-minute trim of the 2012 Doctor Who Christmas special The Snowmen.

Christmas is coming, and if the Great Intelligence has his way, so is eternal winter. Sentient and savage snow is descending, eager to consume us all, can The Doctor, the Paternoster Gang, and nanny Clara save a family from the merciless lady of the lake?

The intention is trim the fat on the 2012 Christmas special, removing try-too-hard comedic banter and time wasting filler scenes.

 

Changes:

No comedic banter between 11 and Strax in either of their two big scenes together
– No One Word Test Scene
– The Doctor and Clara’s first meeting shortened (no “two words”, no drawn out scene with the memory worm)
– Clara does not visit the cloud on the first try
– As with my “Wedding of Sarah Jane Smith” edit, the End Credits have been removed (they go by quite fast and look very blurry) and I use the shortened Tennant end theme for the outro.

password: tardis

The Lies of Sherlock [Fanedit]

artboard-copy-63

https://ifdb.fanedit.org/the-lies-of-sherlock/

An edit combining the final two episodes of series four, “The Lying Detective” and “The Final Problem”

It’s not a game anymore. Sherlock, John and Mycroft engage of an emotional battle of wits not just with Sherlock’s maniacal and manipulative sister Euros, but with one another as well. From the pitfalls of drug addiction to the boasts of seemingly untouchable media darlings to three heart-wrenching words on the end of a phone conversation. The lies mount up, leading to our heroes reaching a moment of definitive truth. Context is everything.

Special Thanks to FE.org members theryaney, and jswert123456 for feedback and cover art.

Doctor Who-Gallifrey Falls [Fanedit]

In it’s infancy, this edit was known as “The Moment Has Come” and was released on this blog back in 2015, but the purging of my previous MEGA account lost the product to the tearful rains of time, so I’ve now decided to revisit it with a snappier title and a few improvements to the editing.

The episode now begins with the very unveiling of the “Gallifrey Falls” painting, and the titles follow Matt saying “the day he killed them all”, we have a shortened version of the RTD era Doctor Who theme, and then back to the museum for most of the story.

I decided to hold back from the War Doctor’s introduction scene until the time came for him to meet The Moment and fetch the Fez, luckily, there’s a perfect moment to bridge from the Tenth and Eleventh Doctors meeting to that scene as soon as Ten says “so where did it go?” when inquiring about the Fez. Very lucky to have had that scene there.

The destruction of Gallifrey originally came about in my first edit as soon as Clara found the War Doctor had vanished from the chair. Here we get to see the War Doctor actually trigger the big red button that leads to the obliteration of the planet.

Most of the story is the same, I opted to also omit any scene with the painting of Elizabeth and Ten getting smashed in by the Zygons for reasons that become quite clear at the end. I was never really satisfied with how Whoflix  ended his Tennant cut, and thought it needed a better closing shot than just his TARDIS materializing. So I spared the painting of Elizabeth and The Doctor from destruction so we can have a quick pan over to it one more time.

password: tardis

Doctor Who-World Enough and Time [Fanedit]

Thirteen

Nice tits Hartnell.

 

Well, something cheif among Sidney Newman’s final requests for the show has come to pass [another desire was retro generation, we’ll cover that eventually in my lifetime too I’m sure…probably once Tennant runs out of lucky dimes over in Duckberg], congratulation to Jodi Whittiker as she takes a man’s key and inserts it into her hole to spread her legs across the milky way.

 

…What do you mean that came out wrong?

Anyhoo, don’t think of this edit as a part of my series ten revisited series, I already have an altogether different plan for the finale of that particular series…no, no this is strictly some quick fun I  opted to have with the series ten finale.

Since it aired, I have always felt the ideal opportunity was to have had Capaldi make a surprise exit in ”The Doctor Falls”..why should he rehash the resistance to change when Eleven assured us that we must always keep moving and never forget who we were? Capaldi spending sixty minutes moaning about it fresh off us eating our Christmas dinner may not be what happens, but it’ll form part of it, and I think that’s such a shame…better to go out in a blaze of grace

A lot of the edits you’ll see here will show up in my revisited version, but not all of them, and the first and latter halves is pretty much note for note unaltered aside from a couple of nips and tucks to join the episodes up, and of course, a very special ending.

I need to go back to the kitchen now…and Jodi needs to go back to the TARDIS…and towards the future.

password: tardis

Doctor Who-The Impossible Astronaut [Fanedit]

Snapshot 1 (16-03-2016 22-13)

 

Special thanks to fellow Faneditor contributor TomH1138 for inspiring me to get off my toochie and finish the job I started with the trim of Day of the Moon I put together…this time I’ve decided to merge both parts of the opener of series six together to form a more coherent experience

What’s different? For starters, the pre-title sequence is now the minisode for the opener that came out online before the episode aired, which is a lot more serious and a great hook for the relevant plot points of the story. Why we didn’t get this I don’t know, Moffat thought it was better to have The Doc waltz in on Laurel and Hardy as well as up someone’s skirt. Family show folks.

Next, we skip Doc and River comparing notes in their diaries and head straight to Lake Silencio where The Doctor ”accepts” his ”fate” at the hands of the Astronaut. Following a fairly unedited and smooth trip to the White House, our next big edit comes when The Doctor is confronted by Canton and Nixon. We skip over the cerfuffle that ensues with The Doctor pinned down by security, as I find The Doctor seated in the White House commanding all of the attention seconds after detection much more in-keeping with the character.

Also gone is Amy’s first encounter with The Silence, and with the removal of the Silence killing the obnoxious White House intern. Again, less is more, and what you don’t see leads to a better pay-off with the info-dumping later on.

And then comes the part that  TomH1138  suggested…although he meant it as something to occur in a Day of the Moon-only context, I thought it would be much better if the now THREE Month time skip after Amy shot her own daughter opened with Melody regenerating in the street…adds a whole new and chilling layer to the mother/daughter dynamic. Stuff like that rubs off on an engineered psychopath out to kill good men in their youth you know.

Canton  no longer pretends to chase Doc and company at all ,we get our info dumping, and in a cut I’m particularly proud of, I get Rory to talk about the Silence editing themselves out of conscious memory right after River reminds Canton they met them at the warehouse.

A few light trims here and there omits Amy encountering Melody again later and her capture at the orphanage comes much quicker. Couldn’t entirely omit the Astronaut suit being found at her location, but it still works.

From there, the last edit is a simple cut-off after Doc and River have their first/last kiss.

Edit should be dropping later tonight

SHERLOCK-THE THREE WORDS [PDF]

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This is a short 41-page novella based on the Conan Doyle short story “The Adventure of the Three Garidebbs” using the arc structure of series four. It serves as an alternative follow-up to “The Lying Detective”. While the novella does end on a cliffhanger, I intend to follow it up with another novella which I hope to release sometime soon.

 

The Three Words