Tag Archives: steven moffat

Doctor Who-The Night of The Doctor [Fanedit]

doctor_who_the_night_of_the_doctor_s-336089762-large

 

When circumstances, opinions and preferences force us to give certain passion projects up, one is left with the inevitable feeling we’ve left some work half-done. I’ve felt that way about Doctor Who series 11, opting to only edit a handful of episodes because I feel there’s not much creative avenues required for the rather unremarkable slew of stories, but then there’s the likes of Whoflix, who’d much rather not attempt edits of the Whitaker-not named-David era at all. At least if you want someone to feel you’re missed at work you could show up every now and then.

Ah, but we love Whoflix here at Zaredit, that guy has taught me a lot about perfecting editing and thinking more outside the box, so I’m fine with him letting the Doctor go and finishing all that is left to be salvaged from the ashes of his personal Pompei. As for us? C’mon Ace, we’ve got work to do.

Where was I? What was the subject we were on? Ah, yes, incompleteness, and that brings back around to Whoflix. When all is said and compiled, there may still be one gap in the man’s collection of edits, and that is the Night of the Doctor.

One might think there’s not much you can get out of a six minute short, and you’d be right. It’s hard to subtract even more from it…so why not instead ADD to it?

By adding “The Last Day” as a timey whimey prologue, you can build the escalation of events in the time war up a little more, giving us a taste of just how merciless the Daleks are en route to the Eighth Doctor’s fateful meeting with Cass aboard her spaceship.

How to extend it past even the original running time? Simply rely on the creativity of others and steal from the best! (just remember to give them the proper credit for being immensely more talented than you)

The works of Youtuber Oliver Comet provided the Doctor’s transformation and gradual acceptance of his War Doctor form, Comet even snuck in a brief cameo from Dalton as Rassilon. It’s enough to genuinely frustrate a fellow at the squandered opportunities they had with the realisation of the late John Hurt’s character. If only Big Finish could have spent some money on nabbing Dalton for some stories before Hurt passed on…and we never did get to see a Molloy/Hurt face off at the gates of Elysium either. Perhaps the Nightmare Child still awaits for McGann?

Due to Comet putting his edit together in 4/3, the DVD rips had to be set to that ratio to match, which means FE.org aren’t likely to take it when I write up the IFDB article, which means this is the “renegade edition”, the official version which will listed on the IFDB will not include Comet’s footage.

DOWNLOAD HERE:

Fanedit.Org version  

Renegade Version

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Doctor Who-The Wedding of River Song [Fanedit]

Whoflix has been busy this week, he put together an edit of Doctor Who episodes The Eleventh Hour (which used the same damn ending I came with for it),  and The Impossible Astronaut .

It was fun to see what both of us did with the topsy-turvey, timey-whimey narrative structure of the latter, as I’d just started trying out ideas for The Wedding of River Song, the intent of my edit was to use some footage from The Impossible Astronaut for the scenes at Lake Silencio, and in his edit, he used footage from The Wedding of River Song for those scenes!

It’s nice to see him tackling the more complicated Moffat stories, and he does a pretty good job removing the nonsensical elements from TIA, go over to his website and check the new edits out for yourself.

In the meantime, here’s what I came up with for my Wedding of River Song edit

Sample One: New Pre-Titles sequence made from one of the available prequel mini-sodes. Makes for a much more intriguing introduction to the story and it’s stakes than the stupid “time runs amok” sequence which involved Charles Dickens on the BBC Breakfast Sofa

 

 

password:river

Sample Two: Just  because I could, I pushed up the revelation Eleven is in the Tesselecta to what he whispers to River before they get married

password: river

 

Doctor Who-Let’s Kill Hitler [Fanedit]

 

When certain events in history happen, people always reflect on where they were at the time.

For me, I recall exactly where I was when Let’s Kill Hitler went out…it had been my parent’s silver wedding anniversary, we had a grand old tea at a swank little inn and many family members came back to the family homestead for a few drinks and a bit of chatter. I had to watch the episode in my bedroom along with my cousin and little brother. At one point, an uncle joined in.

This, for many, is where not only series six went wrong, but you got the distinct feeling DW’s days as the “cool” thing to watch were numbered in the years to come.

It took a year for it to sink in, but this was it. The first post-hiatus episode following the gripping “A Good Man Goes to War” and what did we get? A flipping River Song rom-com disguised as an origin story. If anyone watching the show had a pre-existing distaste for Alex Kingston’s performance, their tempers were not quelled by this.

And yet, I quite like it.

For all the ham, the comedy, the “clever lie” bit which deconstructs the temporal grace of the TARDIS, and the gimmicky misleading title which doesn’t involve the tantalizing time travel conundrum of what to do with Adolf if you met him, it’s a very energetic script, it does offer some insights into what the Silence are, and the Tesselecta is a great concept, albiet more for the time travel modus operandi than ripping off the Numbskulls in the Beano.

I may enjoy a lot of this episode, but make no mistake, this is where series six died a gurning death over the course of 45 minutes and the Moffat era was never regarded in quite the same light again.

You can enjoy something, but you must always be aware of it’s faults so you can understand the side who trash it and not callously dismiss them in the name of the 10/10 club mentality that think the whole series is sunshine and rainbows.  You see this all the time in certain Whovian podcasts on Youtube and reaction channels, save for maybe two (Zaredit personally recommends Blindwave and Seskasays for some proper analysis)

Ah, but there wouldn’t be an edit if there wasn’t something to cut now would it? And there was a lot to go, making this, the second of my World War II themed edits, to run at a considerably shorter run time, this one clocking in at 35 minutes.

The episode begins with the way it should have, with Hitler at the front and center of the action. If you’re going to mishandle the furher, at least make it seem like he’s important…set up a bit of a mystery as to what the Tesselecta want with him, and give the Doctor a massively impactful entrance with the TARDIS crashing through…then have the titles come as Hitler, sodding Hitler, thanks our intrepid travelers for saving his life. DUN-DUN-DUNNNNNNNNNN.

Gone too is the creation of the crop circle summons and the introduction of Mels in the stolen car, and the flashbacks to her childhood with Amy and Rory.  All you need to know from the moment Mels is released from prison is that she’s a friend of the family, she set Amy and Rory up together, and she’s trouble.

Afterwards, one of the last things to go was the ultimate in time-wasting filler, where Matt Smith does a little bit of self-sabotaging and diminishes the enigmatic performance of his Doctor by indulging  in a childish tantrum about guilt and yelling out fish fingers and custard a gazillion times to really emphasize to the whole audience that Doctor Who serves the children’s whims above the adults or the family.

And that’s your lot. Episode ends on the Doctor handing River her diary and the Doctor/Song ‘ship era is well and truly set to sail in a few filler’s time. Hello Benjamin.

EDIT TEMPORARILY DOWN

Doctor Who-The Bells of Saint John [Fanedit]

drwhothebellsofsaintjoh“We picked the mystery box…hop in”

(To download, please join FE.Org and PM Zarius)

I put together a version of this in the past, but with a little more experience and a few new ideas, I’ve chosen to revisit it. Think of this one as the “Page One Edit”, named so because we get to find out just what “page one” and that whole deal with the leaf was all about before the episode ends, rather than wait for a filler pre-titles when you reach Rings of Akaten.

You might think I’m robbing Clara of any and all intrigue by tossing in her origin at the very end of this episode, but not only does her character have very little of that to begin with (as well as any sort of trait to go along with it), I thought it makes for a nice little subversion of the triumphant way the original cut ends, with The Doc having gained a new companion and the thrill of new adventure and mystery on the horizon. Here, he solves the mystery and is utterly perplexed by it. I think that serves as a better ending…don’t leave it with the feeling the Doctor WILL get to the bottom of things, point out very clearly that he CAN’T.

A mystery The Doctor can’t solve makes us worry, and makes us wonder. That is how you kick off a new series of adventures, that is what we call a jumping on point.

In addition to the new ending, I’ve gone in and added the prequel minisode from the series seven DVD as part of the pre-titles. While it’s a little too on-the-nose and doesn’t add much, I still think it’s a nice refresher course if you’re not too familiar with this stretch of the series or Clara.

A few scenes have been rearranged too. Clara accessing the wi-fi now comes before the helpless man’s ominous warning to the internet community, and I removed the whole talk about the Woman Twice Dead and The Doctor’s madness to better seaugeway into him receiving the phone call.

Doctor Who-The Pilot (Extremis Edition) [Fanedit]

The Pilot Extremis Edition

 

This edit mergers the first episode of Doctor Who’s tenth series with three other episodes from that particular series, removing all the pretentious teasing of what’s inside The Vault that goes ultimately nowhere and has an obvious reveal handed to us within minutes of the episode

Extremis is the first part of the Monk trilogy, which really isn’t that much to write home about, other than virtually any scene that includes Michelle Gomez. It is that scenery chewing that compels me also to use the last few precious minutes of “The Lie Of the Land”, the conclusion to the trilogy, as a coda to this episode, replacing the original ending with The Doctor trying to wipe Bill’s mind of her adventure.

I’ve also decided to insert Bill and her friends finding a new house to live in from the episode “Knock, Knock”. This particular plot point doesn’t actually go anywhere in this edit, it’s just a nice little set up that gives us more of a slice of life with Bill, plus I like the atmosphere of Bill with mates more than putting up with her step-mum.

CHANGES
– Begin with original pre-credits scene from “The Pilot”
– After titles, we play some footage from “Extremis”
– “Knock Knock” footage takes over after Missy tells The Doctor to let her live
– Just as Bill is hesitant to sign the contract to move into the house, we cut to The Doctor’s “Time” lecture. Producer and director credit scenes cut
– We cut to “Extremis” footage after The Doctor says “It means life”
– We cut back to “The Pilot” after Nardole tells The Doctor he can kick his arse
– We cut back to “Extremis” after the Puddle establishes the link with the pilot
– White flash cross fade from “Extremis” to Christmas at the University in “The Pilot”
– Cut Heather meeting Bill outside the university and repeating what she says
– Cut the TARDIS landing in Australia
– Last of the “Extremis” footage plays after Bill notices her tears
– “Lie of the Land” ending used as final scene

Doctor Who-Twice Upon A Time (fanedit)

Twice Upon A Time

 

This episode could do with a nice spring clean.

There really isn’t a hell of a lot of point to the sexism deflection that this episode pads itself out with. Within the context of current history, I suppose there’s some fleeting relevancy, but Doctor Who ought to be timeless, and it’s characters should not be dragged down into political soap boxing, however subtle or unsubtle. This is what has killed the show for many a true fan, and as much as I still love the show, it does make me cringe a little too. It’s like attending a council meeting with your parents on a Sunday, reminding you of the real world awaiting you in the week ahead. What happened to weekend/holiday escapism?

So no, as I found out, the sexism need not exist at all, as you’ll find here…pretty minimal edit all the same, nothing too radical, just keeping it tightly focused on the adventure and not the agenda.

CHANGES

-Pre-titles are now the aborted regeneration sequence from “The Doctor Falls”

-Ben and Polly cut. On top of their “Nu Who” versions contributing little to the story , I never was a fan of the weird aspect ratio fidgeting.

-“I am younger” exchange removed

– References to Twelve as a nurse removed, also the exchange about the brandy and guitar are omitted as well as the sexist remarks about Polly

-Classic Doctor no longer says “sunglasses? Indoors?”, I found the initial reaction when he sees them better than anything spoken afterwards and it informs the audience of how he feels anyway

-We cut to Twelve putting the sonic shades on after Bill says she used to travel with him

-Bill and Twelve’s heated exchange edited out, as is Classic Doctor’s “smacked bottom” response.

-Cut Bill’s initial reveal as a member of Testimony. I hold it back a bit longer just for more of a shock reveal.

-First Doctor’s regeneration to Patrick Troughton cut in an attempt to, for one, avoid the aspect ratio fidgeting, and “fix” the continuity error of the Doctor collapsing before he opens the TARDIS door to let Ben and Polly back in.

Shortened Capaldi’s exit speech considerably. Decides to regenerate after he realizes the universe will get it all wrong without him.

Also, I chose to omit Jodie getting booted out of the TARDIS, partially because I intend to open my fanedit of her first episode with a reprise of the final scene of this episode, and when that happens, THEN you’ll see our feisty female cope with free-falling.

So long Moffat, off you go to give Dracula some bite…just don’t give him a cavity.