Debuts for Doctors are, like regeneration, a bit dodgy, you never know what you’re going to end up with, but it’d better be good.
Deep Breath is good for the most part, and this by no means an attempt to reinvent the wheel, rather instead we take the wheel and add it to an altogether different motor.
Fanediting is very much like the broom analogy in the story, which, lucky for you I’ve kept in. After a while, is it the same film or show? Of course it is’nt, and that’s the point.
But with the way story arcs in television and film series, one can glue things together a tiny bit more confidant that it can mesh well, and create the illusion that some things stay very much the same.
So we come to this, a chance to launch Peter Capaldi’s Doctor a bit differently. An hour-long opening with Twelve mulling over whether or not he’s a good man, complete with a scene that really enforces whether or not he is as he dispatches Half-Face Man at the start of the story.
I figure if you’re going to relaunch Doctor Who to the casual crowd, you really should try things the way Russel T. Davies managed…we’ve seen the regeneration, we’ve seen previous Doctors work out their mission statement in their openers…let’s see Capaldi struggle with his mission statement right off the bat and not have him try to work out if he’s got Clara’s name right or if he can really complain about things now that he’s scottish. Let’s be like our rebel time lord and be rebellious…let us see him kick up a fuss, be proactive, and kick arse as soon as he see him.
Let’s stick him in the midst of a proper adventure. A typical Saturday Night out for him and his mates. Most of the story you’ve seen unfold in the original cut of Deep Breath is elaborated on within the restaurant confrontation with Half-Face Man, it’s almost as if Deep Breath could have just been a “day in the life” minisode before the main event.
And, appropriately enough, the privilege of facing off against Capaldi should lie with The Daleks.
Outside of The Power of the Daleks, no other Doctor’s debut story has opened with them facing him. Odd given their long history, but they’re mostly reserved for Doctor’s finales in the new stuff (except for Tennant), so I figured “what the heck?”
Changes in full
-Kicking things off in the edit right off the bat is the final third of Deep Breath, and the Doctor’s companions knee-deep in danger. It’s a typical Saturday night with the new Doctor introducing himself by pouring a glass and then debating life and death with The Half-Man. What serves as a decisive stand off becomes an enigmatic introduction to our favorite time lord.
-The titles kick in after Clara finds the TARDIS is missing from the courtyard
-First use of Into the Dalek footage kicks off after the titles, with the new Doctor answering the distress call and reaching the asteroid base where he learns of the Dalek being held prisoner. We cut before we see what he sees
-Resume Deep Breath footage here with Vastra assuring Clara The Doctor will return for her. We end the footage once they arrive in Glasgow, but cut before they talk about buying chips and coffee.
–Cut to Danny Pink arriving for class. His drill sergeant routine with the boys has been cut
-Cut The Doctor and Clara talking about coffee and glasgow.
At the 26: 29 mark of the edit , you hear a door clicking just before Clara closes the door in the shot, this is not a miscue with the audio, that is actually The Doctor opening the TARDIS door, which becomes clear in the next shot. I was worried people would mistake that for an error, but rest assured it isn’t.